The Best Part of Being a Designer Has Nothing to Do With Design For a profession that’s built on collaboration, we designers spend an awful lot of time trying to do everything ourselves. We learn to draw, we learn construction, we answer plumbing questions, solve electrical problems, manage schedules, source

The Best Part of Being a Designer Has Nothing to Do With Design For a profession that’s built on collaboration, we designers spend an awful lot of time trying to..

The Best Part of Being a Designer Has Nothing to Do With Design

For a profession that’s built on collaboration, we designers spend an awful lot of time trying to do everything ourselves.

We learn to draw, we learn construction, we answer plumbing questions, solve electrical problems, manage schedules, source products, build presentations, run businesses, market ourselves… and somewhere along the way, it’s easy to believe our value comes from being the person with all the answers.

Lately I’ve been reminder that our greatest value isn’t what we know, but who we get to work with.

It really clicked for me during our conversation with Linette Dai on Episode #186 of Hot Young Designers Club. She described it as a privilege to work with people who are truly exceptional at what they do. Not just to hire them or manage them, but to stand alongside them and watch them practice a craft they’ve spent decades perfecting. I haven’t stopped thinking about that!

Some of my favorite moments on a project don’t happen in front of AutoCAD or during a client presentation. They happen in a fabrication shop when someone who’s worked with stone for thirty years points out something I would’ve never considered. Or on a jobsite when a finish carpenter quietly solves a detail that’s been bothering me for weeks.

Those moments remind me that I don’t want to be the expert at everything.

I want to be surrounded by experts.

I think that’s one of the quiet privileges of this profession. We get a front-row seat to people who have dedicated their lives to becoming incredible at one thing. And if we do our jobs well, we get to introduce our clients to those people, too.

In a world that feels increasingly automated, disposable, and optimized for speed, interior design is still wonderfully human. It’s built on relationships, trust, and craftsmanship. Every beautiful project is really a collection of talented people leaving their fingerprints on something they’ll probably never take credit for.

Maybe that’s part of our role as designers. We’re not just creating beautiful spaces, but championing the people who make beautiful spaces possible.

As my experience as a designer has grown, I’m less interested in whether I am the smartest person in the room. I’d much rather be the person who gets to fill the room with extraordinary people.

Fizzles & Sizzles

Rebecca's Fizzle

My husband is officially retired (yay!) but now it feels like everyone is having a summer vacation but me. So I booked a couple trips for the fall and it feels good to have some fun to look forward to.

Rebecca's Sizzle

I did sneak in a couple days away to attend Vegas Market with some of my design besties. We’re usually in and out but we decided we deserved a cabana day by the pool. Even though it was 114°  it was the best Tuesday I’ve had in a long time.

Shaun's Fizzle

This one is for my busy-bodies: slow down. I’ve been spending more time in meditation and it’s been such a wonderful practice . Our world is busy, and increasingly demanding. Take care of yourselves.

Shaun's Sizzle

Shameless plug alert. I’ll be a panelist for the “Lessons Learned, Profits Earned” panel hosted by Rick Campos at High Point Market this Fall. 

Join me Sunday Oct-18 | 2:00p 
Hooker Furnishings
Showplace building , 3rd floor 

Stuff We're Digging

How did you end up in the design industry? I was the stereotypical “design child” who loved redoing my bedroom every few months. I wasn’t sure interior design would make..

How did you end up in the design industry?

I was the stereotypical “design child” who loved redoing my bedroom every few months. I wasn’t sure interior design would make a great career, but my now mother-in-law encouraged me to give it a try after loving her own career in drafting.

While attending post-secondary school, I absolutely fell in love with residential design. For me, it’s all about solving the puzzle of how to make a client’s home the best fit for them and their family.

What does your team look like?

I’m the Design Lead, and I have a Design Assistant who helps with drafting and design work. I also have an Administrative Assistant who handles all things admin and helps keep our projects on track. In addition, I have someone who manages my social media, along with a separate copywriter.

Tell us about the project you're sharing.

This full-home renovation was designed to help a busy family fall back in love with their ’90s home. The existing layout felt very chopped up, with interior brick planters that went unused and sunken living rooms. The kitchen was also tiny, with very little storage. They wanted to revive their home with a timeless style that felt bright and airy while incorporating as many aging-in-place features as possible.

What was involved in this project?

This project involved an almost complete gut renovation of the main floor, updates to portions of the second floor, and transforming a basement that had become little more than a storage space. The home totals approximately 3,000 square feet, including the basement.

I was brought on by the contractor to rework the main floor layout, redesign the primary bedroom and bathroom on the second floor, and create a space plan for the basement. Once the layouts were finalized, I sourced all of the finishes and fixtures. The client also chose to furnish most of the home with all new furniture.

What's something you were really excited about creating for this project?

The family room fireplace wall with the built-ins on either side with arched openings.

Is there anything you changed about your business or processes as a result of this project? 

This project changed the way I work with contractors who bring me onto their projects. I explain why I need full design control so the design process goes quicker and smoother, ultimately saving them time and money. Before this project, I was more likely to follow their lead, but I learned how time-consuming and difficult that made things.

What was your biggest learning from this project?

Do my own measurements for important items, like basement post placement, and don’t rely on the drawings given to me by someone else, whether the contractor or homeowner. Always doublecheck. I ended up having to redesign some of the basement elements to fit within post restrictions that I didn’t realize existed based on the drawings.

Is there a tool, tip, or business resource from Hot Young Designers Club that you use in your business?

I’m a proud Patreon member that is constantly improving my process and documents based on advice from other members. The monthly Hottie Hangouts are amazing.

Thank you, Chelsey Corea, for sharing more about your business and sharing this beautiful home with us! You can visit EBO Design on their website or Instagram.

Designers, we want to learn more about you and see your recent projects! Click here to submit a project to be featured on Hot Young Designers Club

Photography: Homing Design Co., @homingdesign.co
Christina Louise Branding, @christinalouisebranding

Be Our Next Featured Designer

Share your journey into interior design and showcase a project you're proud of. We can't wait to feature your beautiful work!

Be Our Next Featured Designer

Share your journey into interior design and showcase a project you're proud of. We can't wait to feature your beautiful work!

The Final Inch A few years ago, a custom sofa arrived at an install. It had a COM fabric, months of lead time, and was one of those pieces that..

The Final Inch

A few years ago, a custom sofa arrived at an install. It had a COM fabric, months of lead time, and was one of those pieces that kind of anchors the whole room. As the installer was unwrapping it, the box cutter went about a half inch too deep. Right through the fabric.

I remember standing there thinking about how absurd it is that after months of decisions, emails, samples, approvals, production schedules, and waiting, the thing that ultimately determined whether the client got the sofa they were promised was a rushed decision and a box cutter.

I recently read Unreasonable Hospitality by Will Guidara, and I haven’t been able to stop thinking about something he calls the One-Inch Rule. It’s the idea that restaurant staff should pay just as much attention to the final act of placing a plate in front of a guest as they do to everything that came before it. That last inch is the culmination of hours of work by dozens of people, and if it’s handled carelessly, it can shape how the entire experience is remembered. It’s really just a reminder to stay present and see things all the way through to the end.

I think interior design has its own version of this. In fact, I think we probably have a lot of them. The funny thing is, if everything goes right, nobody notices. It’s only when something goes wrong that you realize the final inch may have mattered more than all the inches that came before it.

Freight is probably the clearest example. We spend so much time obsessing over sourcing, craftsmanship, lead times, and fabrication details. But almost nobody talks about the literal last few feet a piece travels before it lands in a client’s home. A leg snapping when its being loaded, a tight stairwell damaging a fresh paint job, or a delivery team that doesn’t understand what they’re carrying can undo months of work in a matter of seconds. The final inch of a freight delivery isn’t a detail, its the riskiest part of the entire process.

Care instructions are a way protect us after we’ve left. At some point, we have to hand over the project and say goodbye. But the actual lifespan of that room depends on people who may have no idea what zellige is, what Fabric Code “S” means, or why one cleaner is safe for a sofa but disastrous for a rug. We can’t control what happens after installation, but we can mitigate it. A well-written care guide is our last chance to protect all the decisions that came before. Because the final inch of a design project isn’t always install day. Sometimes it’s whether someone caring for the home six months later can preserve what you created.

Punch lists might be the most emotionally charged version of the final inch. By that point, clients have invested a tremendous amount of time and money into the process, and they expect a perfectly finished project. And honestly, that expectation is reasonable. If you buy a new car, you’re not going to drive it off the lot with a scratch that needs to be buffed out.

Construction, of course, doesn’t work that way. Contractors are busy, their subs are on new jobs, and somehow the designer ends up standing in the middle. The project may be 99% complete, but that last 1% often becomes the part everyone remembers and these are the moments that can color a client’s impression of the entire project.

The lesson for me isn’t that we can control every final inch because we can’t. But as business owners, we can identify the parts of our process where the stakes are highest and be as prepared as possible. When we know we’re entering one of those high-risk moments, we can set expectations, communicate clearly, and remind clients that some parts of the process are inherently unpredictable.

Usually protecting the final inch isn’t about preventing problems. It’s about preparing people for them and having plans in place to make things right for our clients. And when everything goes according to plan, maybe the best outcome is that nobody notices the last steps at all.

Fizzles & Sizzles

Rebecca's Fizzle

It’s a problem I’m happy to have, but I have two projects that have been on the same timeline all year. I was hoping they’d stagger after the design phase, but they’re both headed into demo imminently!


Rebecca's Sizzle

I’m six weeks into a new morning routine, and putting my phone into automatic Downtime each night has made all the difference. Not waking up and immediately being triggered by emails and social media has created space for a slower, more intentional morning and sets a much calmer tone for the rest of the day.

Shaun's Fizzle

I’m embracing the “light lift” lately when it comes to seeing friends. If your energy isn’t there, try something easier on yourself. A good friend of mine came over to color a page in my Hello Kitty coloring book while we caught up and shared a snack. It was lovely and protected my energy.

Shaun's Sizzle

I asked my client about photographing their home for my portfolio and she said she was honored and felt very special. What a gorgeous sentiment! These are the moments we dream of as designers and are so fulfilling personally.

Stuff We're Digging

How did you end up in the design industry? I went back to school for interior design and started my career at The Standard Hotel as a design assistant. Later,..

How did you end up in the design industry?

I went back to school for interior design and started my career at The Standard Hotel as a design assistant. Later, while my daughter was young, I focused on e-design projects before eventually transitioning into running my business full-time.

What does your team look like?

Only me.

Tell us about the project you're sharing.

I had the opportunity to design a space for the Pasadena Showcase House for the Arts. Although my room was tucked away in the back of the home and may not have been seen by every visitor, this marked my third year participating in the showcase, and I always enjoy the challenge of transforming smaller spaces on a modest budget.

The inspiration behind the design centered around mixing texture and pattern while embracing a bold, moody palette within a compact footprint. I also wanted to use light and reflection to create depth and movement throughout the spaces. The design began with a playful House of Hackney wallpaper installed in the vestibule, paired with mustard-colored trim to complement the tones in the pattern. In contrast, the powder room featured rich brown trim and beadboard, patterned black-and-white tile, and a black tile vanity. Brass finishes were carried throughout both spaces to keep the overall design cohesive and balanced.

What was involved in this project?

The scope of work included removing the existing wallpaper and tile while updating the finishes throughout the space. The original plumbing layout remained in place, but we added beadboard detailing, tiled the back wall, and updated the light fixtures and switches to give the rooms a more polished and intentional feel.

What's something you were really excited about creating for this project?

I was excited to bring a sense of fun and whimsy into the design.

Is there anything you changed about your business or processes as a result of this project? 

This project reinforced the importance of believing in myself creatively.

Be brave and continue doing you.

What was your biggest learning from this project?

My biggest takeaway was to have fun with color. The project reminded me that bold choices can create some of the most memorable spaces, especially when they’re layered thoughtfully with texture and pattern.

Thank you, Rebecca Hansen, for sharing more about your business and sharing this beautiful home with us! You can visit RJH Design Studio on their website or Instagram.

Designers, we want to learn more about you and see your recent projects! Click here to submit a project to be featured on Hot Young Designers Club

Photography: Peter Christiansen Valli, @pcv_ps

Be Our Next Featured Designer

Share your journey into interior design and showcase a project you're proud of. We can't wait to feature your beautiful work!

Be Our Next Featured Designer

Share your journey into interior design and showcase a project you're proud of. We can't wait to feature your beautiful work!

BECOMING A BUSINESS PEOPLE WANT TO GROW WITH As my business grows, I’ve been thinking a lot about hiring, support, sustainability, and what it actually takes to build an enduring..

BECOMING A BUSINESS PEOPLE WANT TO GROW WITH

As my business grows, I’ve been thinking a lot about hiring, support, sustainability, and what it actually takes to build an enduring team. And honestly, one of the most humbling parts of building a team is realizing how much growth is also requires from me as the business owner. I think a lot of us imagine hiring as the moment things finally become easier. More help, less pressure, more breathing room.

What I’m learning is that growing my team often reveals the parts of the business that still need more structure, clarity, and maturity too. Not in a discouraging way, just in a very real way. 

No one will care about your business the way you do

This is normal. I’m emotionally invested in every detail because it’s my name, my reputation, my clients, and years of my life wrapped into this business. That doesn’t mean someone is a bad employee if they don’t operate with the same intensity that I do.

I want to be the type of leader that invests my time in creating clarity and trust, instead of expecting everyone to think exactly like the owner. 

Hiring initially creates more responsibility, not less

I wasn’t surprised by this, but you might be. When you’re overwhelmed, it’s easy to fantasize about hiring as immediate relief. But bringing someone into your business also means: training, communication, delegation, feedback, documentation, and being a manager. There’s a temporary season where growing a team can actually feel heavier before it starts feeling supportive.

A lot of my business still lives in my head

This has probably been the biggest realization for me. I started to build out SOPs (standard operating procedures) based on what I need the most help with. The goal is to have a database of policies and procedures for future employees to access. What it’s shown me is that so many things I do every day feel “obvious” because I’ve repeated them for years.

For example, how I communicate with clients, how I organize projects, how a presentation is prepared, my method of strategic planning and problem solving, how I prioritize tasks (still mostly in my head). None of these things are obvious to another person unless I slow down enough to actually define it. I worked in my corporate career long enough to know that good systems are what allow other people to succeed on a team. 

Hiring quickly reveals weak spots in the business

These are usually not dramatic problems. It’s things like unclear expectations for professional dress attire, inconsistent workflows, shifting priorities, poor delegation, too many communication channels, or tasks that only make sense because I personally knew the context with the client. 

Adding one more person to the business has a way of making invisible friction suddenly very visible. It’s probably useful in the long term, but it seems counter-intuitive that hiring help will create more problems. 

Growing a team means you have to grow too

I think this is the real point underneath all of it. Building a sustainable business requires becoming: more organized, more communicative, better at delegation, clearer with expectations, and more comfortable letting go of perfection. The last one hits me hard. 

Not because I’ve been doing things “wrong,” but because leading people is a completely different skill set than simply being good at design. I still don’t believe that there’s a perfect formula for hiring, but I do think paying attention to recurring pain points helps. I need to actively consider the tasks I repeat constantly, the things that drain the most energy, parts of the business only I can do, and the places where projects consistently slow down. 

Sometimes the answer is going to be hiring. Sometimes it’s going to be a better system. And sometimes the answer is better boundaries. And probably all 3, eventually. 

Either way, I’m now entrenched in the philosophy that the most important part of building a team is building the kind of business, and being the type of business owner, that a team can successfully grow alongside. 

Fizzles & Sizzles

Rebecca's Fizzle

After a busy Spring, I didn’t schedule any Summer trips and I’m regretting my lack of planning. I’m trying to get something on the books before we’re deep into Fall hustle mode!

Rebecca's Sizzle

Between the San Francisco show house and Design Field Retreat in Charleston my cup is so full! I learned so much and already implementing ideas.

Shaun's Fizzle

I look forward to the Pasadena Showcase House every year since it became a tradition among local designer friends. And I’m always sad it’s an entire year until I do it again.

Shaun's Sizzle

I’ve been doing EMDR therapy, and it’s helping me untangle old patterns that have quietly shaped how I work, relate, and make decisions—it’s been one of the most impactful things I’ve done in years.

Stuff We're Digging

How did you end up in the design industry? I was the art kid in high school and always knew I wanted to do something creative for a living. After..

How did you end up in the design industry?

I was the art kid in high school and always knew I wanted to do something creative for a living. After an aptitude test pointed me toward interior design, I decided to pursue it in school. 

After graduating with a BA in Design from UC Davis, I worked as a freelance assistant for several prominent interior design firms in the Sacramento area before one of them hired me full-time. I worked there for 5.5 years before launching Studio Connolly in November 2020.

What does your team look like?

It’s just me! My husband, Devin, helped co-found the company and occasionally acts as my unofficial design assistant, but I primarily run both the business and design work solo.

Tell us about the project you're sharing.

This galley kitchen in Curtis Park, Sacramento already had a warm, earthy vibe thanks to its terra cotta-colored walls, a color the clients loved and wanted to preserve. One of the homeowners, a landscape architect, had selected a primary color scheme for the home and wanted to carry it throughout, so red, yellow, and maybe blue it would be. They also loved the charm and character of their 1920s home and wanted to honor it while upgrading the kitchen’s function with additions like a dishwasher and a proper vent hood, along with improved storage. They also brought a unique challenge: finding a sustainable, durable flooring option that was softer underfoot than tile but still easy to maintain.

What was involved in this project?

The kitchen and adjoining butler’s pantry are tiny, just over 100 square feet (103 to be exact), so everything needed to be planned with precision. I created a demolition plan, new floor plan, elevation drawings, and a proposed electrical layout, then selected all flooring, cabinet colors, countertops, backsplash, grout, lighting, and finish details.

I brought in Tim from Fidelis Builders to execute the design, and he and his subcontractors worked seamlessly to bring it to life. I stayed involved with several site visits to answer questions and problem-solve as needed. At one point, we discovered the top half of a partially demolished chimney resting on wood above the old, non-functional vent hood, which had to be addressed before continuing. I also returned at the end of the project to style the pantry shelves.

What's something you were really excited about creating for this project?

The clients had a very specific storage need: a drawer for alliums (onions, garlic, etc.). I designed a custom cut-out drawer in the butler’s pantry to allow for airflow while creating a thoughtful, standout detail. I even created the cut-out template for the cabinet maker to use in fabrication.

Did this project change anything about your process?

I now always insist on a physical cabinet sample for any stain or paint color before production, and make sure the client sees it in person. Even if I provide a swatch, I require the cabinet shop to apply the color to a real wood sample so I can verify it fully, even if it delays the timeline.

For this project, the cabinet color approval was slightly rushed, which created some uncertainty, but thankfully, the client loved the final result.

What was your biggest learning from this project?

This project pushed me to research several new sustainable materials. I spent time learning which wood species are most sustainable for cabinetry and explored eco-friendly flooring options that are both durable and softer underfoot than tile.

Thank you, Leah Connolly, for sharing more about your business and sharing this beautiful home with us! You can visit Studio Connolly on their website or Instagram.

Designers, we want to learn more about you and see your recent projects! Click here to submit a project to be featured on Hot Young Designers Club

Photography: Whitney Dianne, @whitneydianne

Be Our Next Featured Designer

Share your journey into interior design and showcase a project you're proud of. We can't wait to feature your beautiful work!

Be Our Next Featured Designer

Share your journey into interior design and showcase a project you're proud of. We can't wait to feature your beautiful work!

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